This photo was taken on a Summer morning on the great iceberg lake at Jökulsarlon. The sun was just coming up and the sky was filled with these beautiful soft, pastel colours. There were perfect reflections because the glacier lagoon was so still. We had been camping at Skaftafell so we could make the most of the 24 hour day light of an Icelandic Summer. In South Iceland, the sun does set for a couple of hours, but there is no darkness, there are just a few hours of twilight. Sometimes these twilight zones can have terrific colours in the clouds so it is worth staying up all night if you don’t mind the discomfort of sleeping during the day.
This photo was taken with the Magic Cloth Technique. The Magic Cloth Technique is a a unique way to record a scene with high dynamic range. Maybe you want to give more exposure to the shadows like a normal sunrise beach, the The Magic Cloth Technique is a good tool for your camera kit. It is convenient and inexpensive.
Magic Cloth Tools
Choose a large cloth like a mouse-mat, or black card of similar size. Has to be able to cover the glass completely. Better to be Black. A dark colour is better. Use a straight edge of any shaped cloth.
What you do:
Begin with a filter or low light for a for a slower shutter speed, then over expose the photograph by two to three stops. It is preferable to work with a long Exposure time. Shorter exposures (2-5 seconds) require a quick, but controlled action to darken the sky within a reflex time. 5-10 seconds gives you a controlled exposure of the middle-ground. Double your metered exposure for a straightforward scene that just requires a bit more exposure on the land. Snow scenes and reflections work well with this approach.
Magic Cloth Action
In most situations I bring the cloth down quickly and up slowly. But you can change the action to capture a dozen short exposures of the sky, rather than one initial exposure (longer exposures only).
See more Ice and Auroras on our Photo Tours.
This is one of many shots I take on the ice beach. The formula is basic, but effective.
The grass anchors itself in the black sand forming tussocks from the drifting sand. Small pools form after heavy rain or melting snow.
From this position, I had several challenges. It took 17 shots to get to this one and I already knew my composition!